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Scene 112

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Scene 112
Scene 112
Yuma attacks

Original magazine title

闘う理由と進むべき道[1] Tatakau Riyū to Susumubeki Michi (A Reason to Fight and the Path to Take)

Issue, release date

March 2011, 4 February 2011

Tankōbon title

魔爪の残滓 III[2] Masō no Zanshi III, volume 20

US tankōbon title

Remains of the Demon Claw, Part 3[3]

New character

N/A

Quote

But I never seen a male half-demon warrior.[4]

Region

Sutafu[5]

Locale

Mountains

Next scene

Scene 113

Previous scene

Scene 111

  • Demon Claw arc:
    • Scene 110 link 110: Part 1
    • Scene 111 111: Part 2
    • Scene 112 112: Part 3
    • Dae 113: Part 4

Cold openEdit

As Cynthia regenerates Phina, the Ghosts destroy the awakened beings.[6]

Awakened demiseEdit

BystandersEdit

Astonished, Anastasia and Nike watch Deneve, Helen and Tabitha destroy the awakened. Suddenly, Dietrich, using her Sky sword, lands, bisecting an awakened.[7]

Scene 112a
Ghosts at work

Dietrich admits to her comrades that the Ghosts are deserters from the Organization.[8]

Anastasia and Nike help the Ghosts. But one awakened escapes.[9]

On her ownEdit

Yuma detects the approach of the runaway awakened. Cynthia, busy with Phina, cannot leave to fight.[10]

Yuma must fight alone. She uses her thrown sword. The swords spins like a helicopter blade and hits the awakened's legs, cutting them in half. Then she decapitates him. But the flying head nearly hits the other warriors.[11]

AftermathEdit

New male awakenedEdit

Anastasia, Nike and the other Ghosts rejoin the others. Deneve orders Tabitha to search for weak Yoma auras.[12]

Tabitha senses what may be a Yoma-making facility.[13]

Puburo HuntEdit

Deneve remembers what the Paburo awakened once told Miria: "But you made one major mistake."[14] The mistake was Miria's old belief that the Organization stopped making male awakened beings after the failure of male Claymore warriors. Deneve speculates that the Organization has continued to make male awakened up to the present day.[15]

New alliesEdit

Anastasia guesses the purpose of the Ghosts—to destroy the Organization. Anastasia offers to join the rebels.[16]

Which path?Edit

The question arises: does everyone go straight to Organization Headquarters to save Miria, or the Yoma-making facility? But Deneve, honoring Tabitha's commitment to Miria, allows her to decide which path to take.[17]

Additional detailsEdit

NotesEdit

  • After Deneve says that Miria's "big mistake" was that she assumed that the Organization stopped making male awakened beings, a major hole in the Claymore storyline is created when Helen states she never saw an awakened male warrior,[18] despite all the ones she encountered in the Battle of the North
  • In Scene 27, Miria's "big mistake" is originally thinking that the Organization retired all the male warriors. The Paburo awakened still works for the Organization as an executioner of unwanted Claymore warriors.[19]

Cover artEdit

Jump SQ 03 March 2011
Jump SQ March 2011

ReferencesEdit

Tankōbon Claymore volumes cited are VIZ Media (en-us) editions, unless otherwise noted. Manga scenes (chapters) not yet translated cite Shueisha tankōbon (ja) editions. Manga scenes not yet published in tankōbon form cite Jump SQ (ja) editions. Fragments of Silver Omnibus (総集編 銀の断章 Gin no Danshou) 1–3, Shueisha, are only available in Japanese. Anime scenes (episodes) cited are FUNimation (en-us) editions, unless otherwise noted.

  1. Jump SQ, March 2011, Claymore, p.
  2. Claymore 20, Shueisha, Scene 112, p. 127
  3. Claymore 20, Scene 112, p. 127
  4. Claymore 20, Scene 112, p. 150
  5. Claymore DS Game handbook, p. 28
  6. Claymore 20, Scene 112, pp. 127–129
  7. Claymore 20, Scene 112, pp. 130–131
  8. Claymore 20, Scene 112, pp. 132–135
  9. Claymore 20, Scene 112, pp. 136–139
  10. Claymore 20, Scene 112, p. 140
  11. Claymore 20, Scene 112, pp. 141–145
  12. Claymore 20, Scene 112, pp. 146–148
  13. Claymore 20, Scene 112, p. 149
  14. Claymore 5, Scene 27, p. 185
  15. Claymore 20, Scene 112, p. 150
  16. Claymore 20, Scene 112, pp. 153–156
  17. Claymore 20, Scene 112, pp. 156–157
  18. Claymore 20, Scene 112, p. 150
  19. Claymore 5, Scene 27, pp. 192–195

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